[…] A work with an enormous emotional, political and ideal meaning, able to pull didactic moments together with images with an amazing expressive and plastic power. […] Instabili Vaganti, trough scenic moments rich in rhythm and corporeality, stage the new desaparecidos and the warning to the consciences. Desaparecidos#43 is the attempt to break the wall […]Continue reading "Cecilia Delle Fratte and Daniele Rizzo, Persinsala"

It isn’t a commemoration.“Vivos los llevaron y vivos los queremos” (“They picked up them alive and we want them alive”) is the slogan that leads the demonstrations and that the artists repeat on the stage. It is the construction of the memory: memory for these disappeared bodies whose lacks is scarring deeply. […] The space […]Continue reading "Azzurra Padovano, Fermata Spettacolo"

The company Instabili Vaganti is perfoming at Festival Akropolis a new dramaturgy, the second moment of evolution of a theatrical study that has a strong relationship with the artistic ferments coming from Mexico. The company faces that unfamiliar land and stages its deep pain. […] [The performance] opens our eyes. The photos and the momories […]Continue reading "Maria Dolores Pesce, Dramma.it"

The injustices, the crimes, the oppressions, the contempt, the mistreatments of million of people are universal, but in the same way are universal the reminder of life, of rebellion, of dignity. Rebellious geographies will always exist, places where for each destroyed life one hundred of them will bloom angrier. […] Megalopolis is a project developed […]Continue reading "Maddalena Porcelli, Proscenio web"

43 is the number of an unsolved obsession, of a screamed truth […] 43 is a number that quantifies and identifies one of the defeats of what we persists to call “civilization.” […] The history repeats itself, but the memory is nurtured; the art takes charge of it and becomes an act of love for […]Continue reading "Michele Di Donato, The Pickwick"